A Time Machine

I have a batch of new songs for Splashdown, but we’re all at different life cycles, trying to get the planets to swing back into alignment. I’ll just keep polishing these ditties until they’re ready.

In the meantime, here are some things that have never been seen. It’s “warts and all,” with production quality ranging from atrocious to non-existent. Hand-held movie cameras and lo-fi VHS transfers weren’t much around the turn of the century!

Some curiosities here, including “If I, If I”, a lost song we should have recorded. Next time!

The 1998 live line-up included Laurel on bass, Joel on drums, and Anthony on percussion.

The 1999 line-up included Jason on drums, and the irrepressible Trevor Shand on guitar & bass, a talented madman in his own right.

In 2000, it was just us and Trev.

Hope you find something interesting in here. They were great times for me.

PLAYLIST

If I, If I” at the Paradise, 1998

Don Juan” at the Paradise, 1998

Over the Wall” at the Paradise, 1998

Halfworld” at Lee’s Palace, Toronto, 1999

Ironspy” at TT the Bear’s, 2000

Mayan Pilot” at TT the Bear’s, 2000

The Archer” at The Middle East, 1999

Deserter” at TT the Bear’s, 2000

Stand in the middle while the Wheel spins round and round

So… what’s happening on Tuesday? Let me tell you a story.

In October of 2022, after several years of battling a genetic illness, I found myself in the emergency ICU, barely functioning. I now had a new battle – a rare, aggressive case of The Thing Nobody Wants To Get. Each day became a fight to hold on.

Struggling in the ICU, I readied myself for unbeing. If it was time, it was time. There was pain, but also zen and love.

A phrase from Kafka embedded in my mind, glowing endlessly with perspective both personal and historical: “The meaning of life is that it ends.

But, unraveled as I was, it was not yet my time. I’m now in a bonus round. I’m still here because of my superhero wife, incredible luck (like rolling three sixes in a row), and the Da Vinci Xi surgical robot.

Months later, while I recovered, Cynthia started instigating, as she does. She reconnected the members of Splashdown and suggested we create something. Somehow, enough time had passed, and the planets were aligned. It happened.

Metamorphosis” is a brand new song, written for these events. The chord progression appeared in my fingers in one sitting (the only other time that happened was Mayan Pilot). I had a conversation with Melissa about my experience, and she conjured lyrics that captured it perfectly.

You can read the song as a dialogue between us. There are thoughts about the vastness of the human experience and our tiny place within it (first verse). Marveling at survival (second verse). I believe that after death there is nothing, and Melissa responded with the idea that energy can’t be destroyed, only changed (that’s the bridge). And so on.

I hope Splashdown listeners find as much meaning in the song as I do.

The gate is ajar, and we are working on more songs. I make no promises there, excited though I am. I’m astounded we even got to this point. Let’s see!

We are also addressing some other unfinished business: “Nomadic.” We played this song live a few times, but never released a studio version. The backing tracks are from 2000, but the sitar-ish guitar, the vocals, and the bass were done this year. It only says “demo” after the title because the backing tracks were embedded onto the tape, and there are some arrangement choices we’d make differently now. It’s a hybrid of our past selves and our present.

Clif at Stoltze Design Group, who was our partner all through the Castle von Buhler years and whose team designed the Splashdown visuals, joined in to create the new cover art. And while we were at it, we decided to make a limited run of posters.

Shout out to Jason Sakos, who played drums on “Metamorphosis.”

So that’s the story. Two new songs, more in the works.

Let’s see what happens next.

a field from sight

a picogram in the mighty infinite

keeps on messing with my head OH

the butterfly that moves its wings

in the minute intricate

causes hurricanes on the other side of the world 

when you’re facing the wall

at the edge of it all 

the meaning of life’s that it ends

Kafka said 

transformation, changes

the black and white 

the in between 

in the law of opposites

keeps things spinning in the arms of a milky whirl 

hello goodbye 

yeah I’m still here

as a thread of confluence 

in the infinite emptiness that’s fuller than we know

when you’re nothing at all

you’ll be everything OH

the meaning of life’s that it ends 

Kafka says

I don’t think it ends

it’s just metamorphosis

(my friend)

Can’t destroy it

can’t create it

energy energy energy I am energy energy energy OH

its just transforming 

to new creations 

energy energy energy I am energy energy energy OH

OH it’s metamorphosis, it’s just metamorphosis, it’s metamorphosis

(sending light, love, and peace to you my friend)

(wish you didn’t have to leave so soon)

p.s. Blueshift, if you haven’t found it already.

p.p.s. If you’re blood type O positive, and feel like you have too many healthy kidneys, let me know…

Before there was Splashdown

There was sirensong. Had some inquiries recently about these recordings, so 25+ years later, here they are. Michelle Poppleton sang, I played guitar, Paul Zutrau played bass, Kasson played keys, and Jim Maguire played drums. Lovely cover art by Stoltze Design.

Some thoughts after hearing it with different ears today:

– Somehow, it’s both overproduced and underproduced at the same time. So that’s a kind of achievement!

– I mainly recall fussing over every note and driving everybody crazy.

– Splashdown listeners will find a number of what I’ll call “Easter eggs”.

– As soon as I heard Portishead’s “Dummy,” I knew I had to start over. Hence, Splashdown.

Buried treasure

Long story, but a friend of Kasson’s discovered some ancient studio tapes from Splashdown’s first album and was able to painstakingly recover them in a format ideal for remixing. These 20-year-old tapes were lost to the mists of time… until now. Remix them if you want to.  Go crazy!

——————————————————–

Splashdown multitrack audio stems for “Beguiled” & “Pandora” are available for download.

.:. These are being released under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

This means that you can create your own derivative works for the 2 songs, and share those works, but not sell or use commercially. If you release/publish your derivative version of either of these 2 songs on the internet, please make sure to credit Splashdown as the copyright owner, and that the songwriters are A.Buhler, K.Crooker, and M.Kaplan.

Please do not redistribute these source stems/audio files; point interested parties to the link above. Please do not edit down and share samples/segments of the source audio stems. These audio files are released so that you can create remix/alternate versions of “Pandora” and “Beguiled” for non-monetary use.

All songs copyright Splashdown 2015, All rights reserved for the original versions/recordings/mixes.

IMG_2182

Blueshift / Possibilities Downloads

I noticed recently that the options for finding this online had dropped down to a single site with lousy 128 kbps audio quality. High quality versions available here. (try right-clicking and “save as” if the link doesn’t work) I thought about lopping off the questionable Sugar High remixes that the band never asked for (although we loved the Doc one), but for the sake of completion, I’ll leave them on.

Note that Stars & Garters and Halfworld aren’t included — those are still for sale online, and we do receive royalties from them.

Enjoy.

Blueshift